2024-2025 Course Catalog

Please note: The information displayed here is current as of Saturday, November 23, 2024, but the official Course Catalog should be used for all official planning.

Theatre Arts

ProfessorT. Troy (J. Thomas and Julie E. Hurvis Professor of Theatre and Drama)
Associate professorK. Privatt (James G. and Elthel M. Barber Professor of Theatre and Drama, chair)
Assistant professorA. Sherkow (Assistant Professor of Theatre Arts)
Visiting Assistant ProfessorM. Donegan Kraker
InstructorK. Kopischke
LecturersA. Rose, J. Troy

Since 1930, the Department of Theatre Arts provides an environment of academic exploration and production experiences in the innovative and collaborative tradition of theatre-making. A broad knowledge of theater history and its literary heritage combines with the mastery of skills in performance, design, and production, leading to clear and nuanced expression from our stages. Our faculty instills a professional standard in each main-stage production as we constantly encourage students to integrate their whole education at each stage of development as young artists and scholars. If students engage in our brand of serious and joyful theatre-making in close collaboration with their peers and faculty mentors, they will be ready to enter the profession or graduate training with the best our discipline offers. Our decades-long tradition of senior projects provides a platform where students mark their development with research, performances, and production designs that rise to the level of enthusiastic young professionals. We are equally pleased when our graduates bring the skills and methods they learn in our department to other professions. As life-long learners, the passion for theatre they explored during their years with us will inspire them to contribute as audience members and supporters of the theatre community.

The core curriculum in our major mirrors our general belief that all young theatre-makers must encounter the complementary disciplines of performance, production practice, and dramatic literature and theatre history. We invite students to explore an area of concentration or to continue a generalist’s study of dramatic art. Areas of concentration include performance; design and technical theatre; and dramatic theory, history, and literature. We expect our majors to contribute to each area of the curriculum, to integrate their whole liberal arts exploration into their theatre studies, and to consistently participate in production—on stage, backstage, and in dramaturgical preparation.

Students are strongly encouraged to participate in one or more off-campus programs, such as the Lawrence London Centre or the Gaiety School of Acting in Dublin, to deepen their understanding of the various areas of concentration prior to designing their senior projects.

Typically, majors complete most of their studies in the core curriculum early in their junior year. At that time, students begin to work toward a finalizing senior project in that area. The senior project is required of all majors and is designed to exhibit the student’s strengths in the area in which they hope to continue studies or seek employment. Students anticipating graduate study in an area of concentration should consult with their advisor to ensure that their auditions, resumés, or portfolio presentations are appropriately prepared.


Required for the major in theatre arts

Students who major in Theatre Arts will develop abilities in the following areas:

  • Literature and history: a) recognize major dramatic forms and understand the historical context from which they arose; b) interrogate a text (question closely, in a formal manner); and c) integrate systematic research to support creative choices.
  • Design and technical theatre: a) design a performance environment; and b) synthesize cultural history.
  • Performance: a) skillfully prepare a live theatrical performance; and b) execute and then evaluate a live performance.

The major in theatre arts requires the following:

  1. THAR 187: Acting I
  2. THAR 135: Stagecraft or THAR 137: Costume Crafts and Technology
  3. THAR 212: Theatre Traditions I: Greeks through the 18th Century
  4. THAR 224: Theatre Traditions II: Romanticism through the Present
  5. THAR 231: Design and Production
  6. THAR 327: Playscript Analysis
  7. Seven terms of participation in either THAR 355: Theatre Production Laboratory or THAR 357: Musical Theatre Production Laboratory. Normally granted at one unit per term of participation.
  8. Three additional courses (18 units) in a focus area or courses across focus areas or continue a generalist approach. No more than twelve units of tutorials may be counted in the theatre arts major.
  9. Senior project including enrollment in THAR 687 (1 unit)

Focus on performance

Additional courses in performance include Movement & Text, Acting II: Premodern, Acting III  or Play Directing, and 12 additional units in performance-related courses, including voice, dance/movement, and make-up. Students may also wish to consider the minor in Dance.


Focus on design and technical theatre

Additional production-related courses include Costume, Set, Lighting, Sound Design, Stage Management, Make-up, Production Systems, Props (3-units each), Advanced Design Studio.


Focus on dramatic theory, history, and literature

Dramatic Theory and Criticism and an additional course in theatre history are required. Then students will take an additional 12 units of dramatic literature in the Departments of Theatre Arts or English or in a language department. We urge students who intend to pursue graduate studies in this area to continue their language studies to the level of advanced proficiency.


Senior Experience in theatre arts

The required Senior Experience is a cumulative project that reflects each student's specific interests and the wide range of activity in our department. While majors often begin the planning process for their senior project with their advisor during sophomore year, proposals to the department are due at the middle of Spring Term junior year. A wide variety of options are available as valid senior experiences. They include:

  • Creating a major acting role and documenting your efforts
  • Directing a one-act play (up to 70 minutes, department pays for license and scripts)
  • Set, lighting, costume, or sound design for a main-stage or senior project production
  • Technical direction or stage management for a production
  • Creating and teaching curriculum for primary or secondary students in cooperation with Appleton area schools
  • Writing a play and producing an initial reading of it for a general audience. Preparation for an initial reading consists of 2–3 rehearsals. In performance, stage directions are read and actors present from music stands.
  • Scholarly activities such as writing on an aspect of theatre history for presentation or publication.
  • Presenting a staged reading of a play. Preparation for staged readings usually consists of 4–6 rehearsals. In performance, actors should be at music stands and occasionally use key props and/or costume accessories to clarify action. Lighting is general. We encourage the use of sounds elements to establish setting, set mood, and clarify action.

Proposals for projects must address the following:

  1. The requirements and challenges of the project, including impact on and intersection with the department's ongoing activity
  2. The course and production work and internship experiences that have prepared you to successfully complete the project
  3. The scholarly, artistic, and personal goals you hope to achieve with your project
  4. Request for space including preferred term and special production needs

As theatre is a collaborative art form, the senior project is often a shared experience with other seniors; the department encourages groups of rising seniors to propose joint efforts.

The department welcomes project proposals involving shared experiences with other departments. The senior project can be tailored to fit the needs of a student seeking teaching certification.


Required for the minor in theatre arts

  1. THAR 111: Introduction to the Theatre
  2. THAR 135: Stagecraft or THAR 137: Costume Crafts and Technology
  3. THAR 187: Acting I
  4. THAR 212 or 224: Theatre Traditions
  5. THAR 327: Playscript Analysis
  6. THAR 347: Acting II: Premodern or THAR 231: Design and Production
  7. An additional course in performance, design, or theatre history/literature
  8. THAR 355 or 357: Theatre Production Laboratory (3 terms of participation, normally granted at one unit per term of participation)

Teacher certification in theatre (K-12)

Theatre arts majors can seek certification to teach theatre in grades K-12. Students can add an endorsement in a second area (such as English as a second language) by completing the appropriate minor. Students who plan to seek teacher certification should review the requirements in the Education section of the catalog and meet with the director of teacher education, preferably before the end of the sophomore year.



Courses - Theatre Arts

THAR 110: Dance Appreciation

How do you define dance? Where is dance found? How does dance affect you? As we explore this line of inquiry, we will touch on topics such as dance history, theory, culture and documentation. Drawing from a variety of somatic practices and our collaborative experience, we will physically sample approaches to dance and practice noticing dance in our lives.
Units: 3
Also listed as Dance 110

THAR 111: Introduction to the Theatre

This project-based course encourages students to explore the variety of artistic capabilities required to create theatre. Operating as both a means to inspire a deeper appreciation of the art form and to provide a foundation for theatre making at Lawrence, students in this class will interact artistically with a variety of short format plays. Through meeting with guest artists and experimenting with acting, playwriting and design, students will understand how play texts serve as a blueprint for performance and often illuminate larger social and cultural issues.
Units: 6

THAR 132: Ensemble Thinking

Ensemble Thinking is a system of physical, improvisational, group exercises that provides organizing lenses through which we observe and participate in movement and performance. Using this technique, we will develop awareness and listening skills for relating to others, build a common language, and practice collaboratively creating dances. Through embodied studio investigations, this course introduces students to dance composition.
Units: 3
Also listed as Dance 132

THAR 134: Contact Improvisation

Contact Improvisation is a partnering dance form that explores movement possibilities created when two or more individual bodies are touching and/or sharing weight, balance or support. The practice of Contact Improvisation encourages the development of self-responsibility, awareness, clear physical communication and a strong, versatile body. This is a rigorous dance lab in which we will experiment with action, physics and listening.
Units: 3
Also listed as Dance 134

THAR 135: Stagecraft

An introduction to the technical aspects of theatre production. Laboratory experience in scenic construction and rigging, painting, lighting, sound, backstage organization, and management. In addition to regular class meeting times, there is a lab component that gives students hands-on application of technical and theatre design.
Units: 6

THAR 136: Embodied Creative Practice

This is a course designed to build your creative muscle. In the supportive community of this class, we will access your individual story, writing, drawing, movement and voice to create and perform for each other every class meeting. Employing diverse performance techniques and referencing various readings, we will discover and craft our unique inspirations, directions, and experience.
Units: 3
Also listed as Dance 136

THAR 137: Costume Crafts and Technology

An introduction to the technical aspects of costume creation and production for the theatre. Course includes hands-on experience in costume construction, cutting, draping, millinery, and other costume crafts. Practicum in the costume shop in support of current productions is required. In addition to regular class meeting times, there is a lab component that gives students hands-on application of technical and theatre design.
Units: 6

THAR 138: Articulating the Solo Body

Based in ReWire/Dancing States and other contemporary techniques, this course will build a movement foundation for the solo dancing body. In the studio, we will work with clarity, speed, and precision to develop a versatile and conscious dancer. We will also explore topics such as performance, intention, and habits while dancing.
Units: 3
Also listed as Dance 138

THAR 143: Fundamentals of Movement: Practices of Care for the Performing Artist, Athlete

Fundamentals of Movement introduces the performing artist, the performing athlete to tactics of care, injury prevention, performance enhancement, and wellness. Through experiential anatomy, fascial training, restorative and preventative somatic practices students actively engage with experiential tools that will enhance and add longevity to their performative careers, whatever performative situation comes next. The course will have reading, viewing, discussion, written and verbal critique, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions as well as competitive sport and athletics.
Units: 3
Also listed as Dance 143

THAR 147: Physical Practice: Modern Dance

Physical Practice introduces students to dance as an embodied practice, academic study and a process of investigating and making. This class section explores the basic elements of contemporary modern dance: coordination, alignment, time, space, speed, rhythm, weight, and solo/ensemble practice. Emphasis is placed on moving and dancing a lot, getting sweaty in order to build strength and stamina in the body and mind. The course will have viewing, discussion, written and verbal critique, composition, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions. This course can be repeated (and can be taken by students who previously took THAR 147 under the old title.) Only 6 units of Physical Practice (any type) can count toward the theatre arts major.
Units: 3
Also listed as Dance 147

THAR 149: Physical Practice: Broadway Styles

Physical Practice introduces students to dance as an embodied practice, academic study and a process of investigating and making. This class section explores the basic elements of contemporary Broadway dance: coordination, alignment, time, space, speed, rhythm, weight, and solo/ensemble practice. Emphasis is placed on moving and dancing a lot, getting sweaty in order to build strength and stamina in the body and mind. The course will have viewing, discussion, written and verbal critique, composition, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions. This course can be repeated (and can be taken by students who previously took THAR 149 under the old title.) Only 6 units of Physical Practice (any type) can count toward the theatre arts major.
Units: 3
Also listed as Dance 149

THAR 161: Stage Make-Up

A hands-on course offering experience in the proper design and application of stage make-up for students interested in theatre or music-theatre performance. Practicum in stage makeup in support of current productions is required. In addition to regular class meeting times, there is a lab component that gives students hands-on application of technical and theatre design.
Units: 3

THAR 164: Production Systems

Lighting, Sound, and video systems are increasingly common in a wide variety of applications. These range from simple personal set ups to large venue systems. Setting up and programming these systems is more complex and integrated than ever before. This class will cover lighting systems, sound systems, projections, DMX, Qlab, ETC Consoles, and Sound boards. The theatre, film, and sound production spaces across campus use these systems, as do larger venues like the Fox Cities Performing Arts Center.
Units: 3

THAR 165: Scenic Painting

Scenic painting turns lumber, plywood, and canvas into any material a design demands. It allows us to build quickly and lightly, while still achieving the look requested by the designer. This class will introduce you to these painting techniques useful in large scale painting. These methods are not new but can be used in any number of ways to create the desired effect. The course will give you resources to successfully plan and execute designs with efficiency.
Units: 3

THAR 170: Shakespeare London

Students will study several plays by William Shakespeare selected from among the current offerings by the Royal Shakespeare and other companies. Discussions will address the plays themselves, production techniques, and the audiences to whom they appeal. Students are required to attend performances of the plays under study. Offered at the London Centre. PREREQUISITES: Must be attending Lawrence London Centre
Units: 6
Also listed as English 170
Prerequisite: Must be attending Lawrence London Centre

THAR 172: Modern Irish Drama

The class will read and discuss plays by contemporary Irish playwrights from Brendan Behan to Martin McDonagh. It will analyse personal and the political issues in modern day Ireland, the question of Irish identities and the gradual social changes since the beginning of the Troubles. Particular emphasis will be on the performance history of the plays, both in Ireland and abroad. PREREQUISITES: Must be attending the Lawrence London Centre.
Units: 6
Also listed as English 172
Prerequisite: Must be attending the Lawrence London Centre.

THAR 174: Literature of the Irish Troubles

The class includes poetry, short stories, novels, plays and film scripts which document the cultural and political conflict in Northern Ireland ("The Troubles"). Analysing literature from both sides of the conflict and from the Republic and Ulster, will allow for an in-depth understanding of the socio-historical context influencing these works, and the importance of literature as a personal and political voice. PREREQUISITES: Must be attending the Lawrence London Centre.
Units: 6
Also listed as English 171
Prerequisite: Must be attending the Lawrence London Centre.

THAR 176: Post War British Musical Theatre

This course aims to examine the global success of the British musical by situating its developments within a post Second World War historical context. This course will explore the changes and developments of post- war British society and culture, and how they shaped the emergence of musical theatre as an instigator, reflection and commentary on social and political changes.
Units: 6

THAR 185: Movement and Text

This studio-based introductory course examines the interplay of physical movement with verbal and written texts. Using choreographic approaches and improvisational structures, students will investigate how to mine a theatrical text for its range of expression, embodiment, and compositional qualities, and to examine the kinesthetic body as a text. This class is recommended prior to enrolling in THAR 347: Acting II.
Units: 6
Also listed as Dance 185

THAR 187: Acting I

We present a demystified, participatory approach to the craft of acting. Using the methods of Viola Spolin, students master the fundamental concepts of Stanislavsky and explore acting tools in the traditions of Grotowski and Michael Shurtleff (LU’46). PREREQUISITES: Freshman or sophomore standing or consent of instructor
Units: 6
Prerequisite: Freshman or sophomore standing or consent of instructor

THAR 191: Directed Study in Theatre Arts

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 195: Internship in Theatre Arts

An opportunity for students to apply their theatre skills in business and the non-profit sector on the regional, national, and international levels. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

THAR 211: Introduction to London Theatre

Introduction to a critical approach to theatrical performance. Students read play scripts before attending a wide range of plays in a variety of performance spaces in London, working towards a developed understanding of dramatic form. Study of literary and theatrical conventions is designed to enhance students' critical sophistication. PREREQUISITES: Open to students attending the London Centre only
Units: 6
Prerequisite: Open to students attending the London Centre only

THAR 212: Theatre Traditions I: Greeks Through the 18th Century

A survey of theatre in its cultural context from its Greek origins through the 18th century. Extensive readings from the dramatic literature of each period supplement the study of the physical theatre and production practices. PREREQUISITES: Sophomore standing or consent of instructor
Units: 6
Prerequisite: Sophomore standing or consent of instructor

THAR 220: Topics in Movement/Performance

Topics in this series vary from year to year. May be repeated when topic is different.
Units: 3
Also listed as Dance 220

THAR 221: Dance Studies: Global Perspectives

This course introduces major concepts, approaches and issues in the study of dance as a cultural, historical and artistic practice. By examining key texts in dance studies, viewing dance films and engaging in the practice of dancing, students will investigate how moving bodies shaped history while considering dance as a form of cultural identity and political power.
Units: 6
Also listed as Dance 221

THAR 224: Theatre Traditions II: Romanticism Through the Present

A survey of theatre in its cultural context from Romanticism through the present day. Extensive readings from the dramatic literature of each period illustrate the ideas, aesthetic values, and staging innovations that led to the theatre of the 21st century. PREREQUISITES: Sophomore standing or consent of instructor
Units: 6
Prerequisite: Sophomore standing or consent of instructor

THAR 231: Design and Production

A survey covering all aspects of visual design for the theatre. Emphasis on the necessary techniques of drafting, painting, and modelmaking, with attention to aesthetic and practical problems of theatre design. In addition to regular class meeting times, there is a lab component that gives students hands-on application of technical and theatre design.
Units: 6

THAR 237: Reconstructing Costume History: A Hands-On Costume History Survey

A survey of the evolution of clothing in Western Civilization as it reflects historical events and social culture from Ancient Greece to the Elizabethan England. Hands-on patterning and draping provides an immersive experience as we explore period silhouettes and techniques unique to each period. We will also explore representative plays and theatrical conventions from each period. Practicum in the costume shop in support of current productions is required. PREREQUISITES: THAR 137
Units: 6
Prerequisite: THAR 137

THAR 253: Theatre Techniques for Educators

Whether preparing to work as a classroom teacher or in an arts organization, students will explore the power of theatre as a means to teach core content. Taught largely through the guided execution of theatre activities, students will participate in and create interactive curriculum. We will explore how theatre engages a variety of learners and research its history of efficacy with English Learners, underserved communities and students with special needs.
Units: 6
Also listed as Education 253

THAR 255: Start-Up Theatre

Open to students from theatre, economics, and other students interested in entrepreneurship in the performing arts. Topics change each year. May be repeated when topic is different up to 6 total units. PREREQUISITES: Sophomore standing
Units: 1 TO 3
Also listed as Innovation & Entrepreneurship 255, Economics 255
Prerequisite: Sophomore standing

THAR 257: Diversity on the London Stage

This seminar discusses how London theatre is addressing diversity with regard to race, ethnic background, gender, sexuality, religion, disability, and mental health. We will see theatre productions at different London theatres, analyze both performances and play texts, and talk with theatre practitioners about their work. In reviews, presentations, projects, and a paper, students will demonstrate their individual engagement with London. Offered at the London Centre. PREREQUISITES: Open to students attending the London Centre only
Units: 6
Prerequisite: Open to students attending the London Centre only

THAR 261: Stage Management

Proper Stage Management is essential to facilitate the creative process of theatre making. This course covers the proper theory and practice of stage management from pre-production through performances. These skills are useful for all manner of creative and collaborative endeavors: PREREQUISITES: THAR 135 or consent of instructor
Units: 3
Prerequisite: THAR 135 or consent of instructor

THAR 263: Stage Properties

Stage properties serve as the way an actor interacts with the dramatic world. properties cross into other areas of design and direction, making them a unique challenge. This class will explore ingenuity, resourcefulness, meticulousness, and creativity. Fabrication techniques from THAR 135 will be expanded to include more material and technologies. PREREQUISITES: THAR 135
Units: 3
Prerequisite: THAR 135

THAR 264: Theatrical Scenic Painting

Scenic painting turns our lumber and plywood into any material a design might need. It allows theatres to build quickly and lightly while still achieving the look requested by the designer. These methods are not new but can be used in many combinations to create diverse effects. This class will build on the painting skills covered in THAR 135 and give students the resources to organize and execute designs successfully with efficiency and speed. PREREQUISITE: THAR 135 or instructor approval PREREQUISITES: THAR 135 or instructor approval
Units: 3
Prerequisite: THAR 135 or instructor approval

THAR 265: Production Systems

Lighting, Sound, and video are all evolving with the advancement of technology. Setting up and programming these systems is more complex and integrated than ever before. This class will cover lighting systems, sound systems, projections, DMX, Qlab, ETC Consoles, and Sound boards PREREQUISITES: THAR 135
Units: 3
Prerequisite: THAR 135

THAR 279: Fringe Theatre in London

This course will attempt to define Fringe Theatre (a movement started in 1968) and to categorize its main elements. The class shall attend a wide variety of plays and venues and come to an understanding of how the fringe has changed over the years. Discussions will address production techniques, the plays themselves, the audiences to whom they appeal, and to what extent the fringe is still an important theatrical force. Students are required to attend performances of the plays under study. Offered at the London Centre. PREREQUISITES: Sophomore standing Must be attending Lawrence London Centre
Units: 6
Prerequisite: Sophomore standing Must be attending Lawrence London Centre

THAR 306: Russia on Stage: Three Centuries of Russian Theater

This course introduces students to the rich theatrical tradition of Russia. The readings for the course span over two centuries, starting from the social comedies of the late eighteenth century to the contemporary "New Drama" and documentary theater. The plays are situated within the larger historical and political context of Imperial, Soviet and post-Soviet Russia. Lecture/discussion. Taught in English.
Units: 6
Also listed as Russian 306

THAR 310: Alexander Technique I

The Alexander Movement Technique (AMT) is an educational method for finding easier use of self in daily activity. The technique offers us insight into our own mental processes and perceptions of our body’s structure, and allows us to replace faulty habits with coordinated movement. PREREQUISITES: Instructor approval is required. The instructor will talk with each student about the hands-on aspects of the technique and the code of ethics that governs the work.
Units: 3
Also listed as Music 310
Prerequisite: Instructor approval is required. The instructor will talk with each student about the hands-on aspects of the technique and the code of ethics that governs the work.

THAR 327: Playscript Analysis

The playscript is a blueprint for a construction that uses the media of space, time, color, speech, and action to reflect from the stage images of what it means to be human. This course will explore both technical and creative ways to decipher the play text. PREREQUISITES: Sophomore standing Recommended sophomore or junior year Recommended to be taken before THAR 527
Units: 6
Prerequisite: Sophomore standing Recommended sophomore or junior year Recommended to be taken before THAR 527

THAR 340: Musical Theatre Production Overview

This course is designed to equip future educators with a basic understanding of the various details and responsibilities involved in mounting a musical theatre production. Topics include: choosing a musical, rehearsal schedules, finances, stage direction/blocking, lighting, sound, choreography, and pit orchestra. Offered every other year, fall term (even years). PREREQUISITES: Sophomore standing
Units: 3
Also listed as Music Education and Pedagogy 340
Prerequisite: Sophomore standing

THAR 341: Construction Sites: Tools for Embodied Research

What constitutes performance and how is performance a site of possibility, discourse, dissension, and connection? Through the lens of dance as a foundation, we grapple with embodying our research and creating action in our campus communities and beyond. This upper-level course is meant to prepare students for their senior capstone and for any students who want to dive into deep research.
Units: 6
Also listed as Dance 341

THAR 344: Greek Tragedy

In this course we will read excerpts from one tragedian (e.g. Aeschylus, Sophocles, Euripides) in ancient Greek. Our discussion will be supplemented with additional tragic material in English translation and secondary scholarship. Meets concurrently with THAR 444/CLAS 423. Not open to students who have received credit for THAR 444/CLAS 423 or who need to receive credit for THAR 444/CLAS 423. PREREQUISITES: CLAS 225 or three years of high school Greek
Units: 6
Also listed as Classics 323
Prerequisite: CLAS 225 or three years of high school Greek

THAR 347: Acting II: Premodern

We will continue to explore core concepts from Acting I including an exploration of the literary conventions, theatrical practices, and performance demands required of plays from the Greeks, through Shakespeare, and the French Neo-Classists. Students should expect to work closely with scene partners throughout the term. Attendance is strictly enforced. Recommended, but not required prior to enrolling in this class: THAR 185. PREREQUISITES: THAR 187 or consent of instructor
Units: 6
Prerequisite: THAR 187 or consent of instructor

THAR 351: Film in Germany (in English)

This course selects from 90 years of filmmaking in Germany. Films range from expressionism to Nazi propaganda and from escapist comedies to avant garde art. Learning to “read” German films critically also means finding out how to understand movies from Hollywood and beyond. Possible topics include “From Caligari to Hitler,” “German Literature as Film,” and “What Makes Lola Run.” Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6

THAR 352: Introduction to Film

An introduction to the critical analysis of Latin American and Spanish film. Selected films represent various countries, genres and directors from Latin America and Spain. Readings of relevant film theory, class discussions and composition tasks prepare students for other advanced courses in the Spanish program. PREREQUISITES: SPAN 202, its equivalent, or consent of instructor; not open to native speakers of Spanish.
Units: 6
Prerequisite: SPAN 202, its equivalent, or consent of instructor; not open to native speakers of Spanish.

THAR 355: Theatre Production Laboratory

Practicum in theatre production. May be taken for one or more terms; six terms required of theatre arts majors, three terms required of minors. May be taken by any student involved in theatre production. May be repeated for credit.
Units: 1

THAR 357: Musical Theatre Production Laboratory

Practicum in musical theatre. May be taken for one or more terms; can be used in partial fulfillment of the six terms of Theatre Arts 355 required of all theatre arts majors or the three terms of Theatre Arts 355 required of all theatre arts minors. May be repeated for credit.
Units: 1

THAR 362: Acting for Singers 1

An opera/song performance course that develops the fundamental tools to create on stage. This term concentrates on basic acting techniques beginning with spoken word and then transferring those skills to intoned speech (song). These building blocks include understanding and breaking down a script, navigating the stage and movement on it, creating and motivating character choices, response to your fellow performers, honesty on-stage, concentration, imagination and commitment to the script, the environment and your character.
Units: 3
Also listed as Music Repertoire-Perf Study 361

THAR 363: Greek and Roman Drama in Translation

In this course we analyze ancient plays both as great works of literature and as artifacts of a particular artistic, cultural, and political context. Students will read excerpts and complete plays in English from a variety of ancient authors, including (from Classical Athens) Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, and (from late Republican and early Imperial Rome) Plautus, Terence, and Seneca. PREREQUISITES: Sophomore standing or consent of instructor
Units: 6
Also listed as Classics 363, English 263
Prerequisite: Sophomore standing or consent of instructor

THAR 364: Acting for Singers 2

An opera/song performance course that develops the fundamental tools to create on stage. This term concentrates on expanding the techniques from the previous term and on developing a stronger sense of ensemble work. Viewpoints and Theatrical Composition will be the main thrust of the exploration, using the current song and aria repertoire of the individual student. PREREQUISITES: MURP 361 or equivalent
Units: 3
Also listed as Music Repertoire-Perf Study 362
Prerequisite: MURP 361 or equivalent

THAR 370: Sound Design for the Theatre

A study of the the theatrical sound design process for live performance. Students will create and modify sounds and music for plays and musicals. We focus on research, supporting the text, and creating an immersive sonic environment. Laboratory responsibility is required as part of course. THAR 231 required. PREREQUISITES: THAR 231
Units: 6
Prerequisite: THAR 231

THAR 377: Technologies in Theatre Production

Examination of and practice in fundamental directing methods, techniques, and historical development. In this course we focus on the directing traditions of Alexander Dean, Dean's contemporaries, and collaborative devising. PREREQUISITES: THAR 187 & two units of THAR 355 or THAR 357. THAR 355 is recommended.
Units: 6
Prerequisite: THAR 187 & two units of THAR 355 or THAR 357. THAR 355 is recommended.

THAR 387: Let Us Arise: Ireland's Deep Time

Taking a dramaturgical and geographical approach to explore a deep sense of place, we will use the lens of culture (drama, poetry, fiction, music, film, history and visual arts) to investigate the variegated quality of Ireland's land and its people. PREREQUISITES: SOHPOMORE STANDING, or ENST 150, ENST 151, or ENST 251 (or) THAR 111 or THAR 327
Units: 6
Also listed as Environmental Studies 387
Prerequisite: SOHPOMORE STANDING, or ENST 150, ENST 151, or ENST 251 (or) THAR 111 or THAR 327

THAR 390: Tutorial Studies in Theatre Arts

Advanced work, arranged and carried out in consultation with an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 391: Directed Study in Theatre Arts

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 395: Internship in Theatre Arts

An opportunity for students to apply their theatre skills in business and the non-profit sector on the regional, national, and international levels. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

THAR 399: Independent Study in Theatre Arts

Advanced work in directing, design, performance, or criticism, arranged in consultation with department. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 425: Advance of the American Musical

A study of this uniquely American theatrical form as it develops in response to our culture throughout the 20th century and into the 21st. Ability to read music helpful, but not required. PREREQUISITES: Sophomore standing or consent of instructor
Units: 6
Also listed as Musicology 160
Prerequisite: Sophomore standing or consent of instructor

THAR 427: Playwrighting

Students will employ the vocabulary and dramaturgical insight we explored in Playscript Analysis to the task of writing for the stage. We will examine important plays in the one-act repertory while each student drafts a 25-40 minute play. PREREQUISITES: THAR 327
Units: 6
Prerequisite: THAR 327

THAR 430: Alexander Technique II: For Performers

This studio-style class applies Alexander Movement Technique (AMT) to performance broadly defined as an activity completed for an audience. Students will work on performance and rehearsal/practice techniques with hands-on guidance from the teacher and will also serve as trained observers for their colleagues. May be taken for 3 or 6 units. PREREQUISITES: THAR 310
Units: 3 OR 6
Also listed as Music 410, Music Repertoire-Perf Study 430
Prerequisite: THAR 310

THAR 432: Shakespeare

An introduction to Shakespeare’s plays and their literary, historical, and theatrical context. PREREQUISITES: Junior standing, ENG 230, or consent of instructor
Units: 6
Also listed as English 425
Prerequisite: Junior standing, ENG 230, or consent of instructor

THAR 434: Restoration and 18th-Century Comedy

A study of English comedies as reflections of changing taste and thought in the period 1660-1800. Authors include Wycherley, Etherege, Congreve, Farquhar, Steele, Fielding, Goldsmith, and Sheridan. PREREQUISITES: Junior standing, ENG 230, or consent of instructor
Units: 6
Also listed as English 445
Prerequisite: Junior standing, ENG 230, or consent of instructor

THAR 436: Renaissance Drama

A study of eight to ten plays from the early modern period, excluding Shakespeare. Readings include Marlowe, Jonson, Middleton and Webster. PREREQUISITES: Junior standing, ENG 230, or consent of instructor
Units: 6
Also listed as English 435
Prerequisite: Junior standing, ENG 230, or consent of instructor

THAR 440: Modern Drama

Studies in some of the major playwrights in Europe, England, and America from the time of Ibsen to the present. PREREQUISITES: Junior standing, an intermediate course in English, or consent of instructor
Units: 6
Also listed as English 490
Prerequisite: Junior standing, an intermediate course in English, or consent of instructor

THAR 442: Comedia: Theory and Performance

An introduction to the major playwrights of early modern Spain and Latin America. Readings include plays, interludes, contemporary dramatic theory, and historical accounts of performance practices. Discussion topics include the ethics of theatrical performance, the construction of gender on stage, and the place of the comedia in the emergent empire. PREREQUISITES: One 300-level course in Spanish, its equivalent, or consent of instructor
Units: 6
Also listed as Spanish 420
Prerequisite: One 300-level course in Spanish, its equivalent, or consent of instructor

THAR 477: Acting III

We will begin by re-engaging our exploration of Shurtleff’s Guideposts from Acting I and Acting II, then explore approaches from Keith Johnstone and Marina Caldarone in both pre-modern and modern realist plays. We will also explore initial concepts in the Lessac tradition of voice and diction training and safe stage combat. Students should expect to work closely with scene partners throughout the term. 100 per cent attendance and an active-wear neutral dress code will be expected throughout the course. PREREQUISITES: THAR 187 and THAR 347 Acting II
Units: 6
Prerequisite: THAR 187 and THAR 347 Acting II

THAR 551: Costume Design

The theory and practice of costume design for the stage, focusing on period style and presentation technique. Laboratory responsibility in the costume shop required as part of course. PREREQUISITES: THAR 231 or consent of instructor
Units: 6
Prerequisite: THAR 231 or consent of instructor

THAR 553: Stage Lighting

A study of basic lighting theory, design, and technique that enables students to assume responsibility, with knowledge and precision, for designing and executing lighting plots. Laboratory responsibility on lighting crews required as part of course. PREREQUISITES: THAR 231 or consent of instructor
Units: 6
Prerequisite: THAR 231 or consent of instructor

THAR 555: Set Design

A study of the role of the set designer in a theatrical production from the conceptual through the production phase. Emphasis on values of concept, inventive scenic solutions, and creative research as applied to a number of different dramatic styles. Laboratory responsibility in the scenic studio required as part of course. PREREQUISITES: THAR 231 or consent of instructor
Units: 6
Prerequisite: THAR 231 or consent of instructor

THAR 581: Advanced Design Studio

Advanced Design Studio provides emerging designers and intensive learning environment where they explore their unique voice as theatrical designers and gain practical design knowledge through individual mentoring. PREREQUISITES: One of the following: THAR 551, 553, 555, or 557
Units: 6
Prerequisite: One of the following: THAR 551, 553, 555, or 557

THAR 590: Tutorial Studies in Theatre Arts

Advanced work, arranged and carried out in consultation with an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 591: Directed Study in Theatre Arts

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 595: Internship in Theatre Arts

An opportunity for students to apply their theatre skills in business and the non-profit sector on the regional, national, and international levels. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

THAR 599: Independent Study in Theatre Arts

Advanced work in directing, design, performance, or criticism, arranged in consultation with department. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 687: Senior Experience

Students enroll in this course during the term they complete their Senior Experience and self-assessment. Projects are discussed with the academic advisor and proposed using the senior theatre projects Moodle page. PREREQUISITES: Senior standing
Units: 1
Prerequisite: Senior standing

THAR 690: Tutorial Studies in Theatre Arts

Advanced work, arranged and carried out in consultation with an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 691: Directed Study in Theatre Arts

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

THAR 695: Internship in Theatre Arts

An opportunity for students to apply their theatre skills in business and the non-profit sector on the regional, national, and international levels. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

THAR 699: Independent Study in Theatre Arts

Advanced work in directing, design, performance, or criticism, arranged in consultation with department. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.
Units: 1 TO 98
Prerequisite: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.