2024-2025 Course Catalog

Please note: The information displayed here is current as of Thursday, November 21, 2024, but the official Course Catalog should be used for all official planning.

Dance

Visiting Assistant ProfessorsM. Donegan Kraker (chair), M. Paek (chair)

Dance: Embodied Collaborative Practice

Dance is a practice of crafting pathways for curiosity, resiliency, and connection through movement. Our dance minor at Lawrence values every body, practice as research, and kinetic intelligence. Collaborative process is the foundation of our study and the minor is comprised of artistic, academic, and athletic practices. Our innovative approach to movement nourishes students ready to take embodied, inter-disciplinary, experimental approach to artmaking and supports dance artist scholars on their journey towards choreographing compassionate futures.

The Dance minor is open to all Lawrence students and offers movement practices that are accessible to all. In the classroom/studio, we value difference, create a sense of belonging, and develop an embodied practice of place, both internal and external. To minor in dance, students take three to four of the Foundational Dance courses, supplemented by courses in the Embodied, Collaborative, and Practice categories. Foundational courses cultivate movement longevity, spatial composition, critical thinking, and artistic life skills. The additional curriculum encourages interdisciplinary investigation alongside mental and physical flexibility, stamina, health, and agency.

Through deep and embodied processes of movement research, collaboration, and creation, dance artist scholars will leave their undergraduate career with tools for creating their own lives, experience with presence and performance, and the capacity to thrive, wherever they move next.


Required for the minor in Dance

The minor in Dance requires a total of 36 units.

15 units from among the following Foundational courses:

  • THAR/MUDA 132: Ensemble Thinking (3 units)
  • THAR/MUDA 143: Fundamentals of Movement: Practices of Care for the Performing Artist, Athlete (3 units)
  • THAR/MUDA 221: Dance Studies: Global Perspectives (6 units)
  • THAR/MUDA 341: Construction Sites: Tools for Embodied Research (6 units)

6 units from among the following Embodied courses:

  • THAR/MUDA 134: Contact Improvisation (3 units, repeatable)
  • UNIC 135: Doing Nothing (1 unit)
  • MURP 120: Deep Listening Lab (3 units)
  • RLST 356: Meditation: Psychological and Buddhist Perspectives (6 units)
  • THAR/MUSI 310: Alexander Technique I (3 units)
  • THAR 430/MUSI 410/MURP 430: Alexander Technique II: For Performers (3 or 6 units)

6 units from among the following Collaborative courses:

  • THAR/MUDA 132: Ensemble Thinking (3 units)
  • MUEN 205: Dance Collective Ensemble (1 unit, repeatable)
  • THAR 355 or 357: Theatre Production Laboratory (1 unit, repeatable)
  • THAR 135: Stagecraft (6 units)
  • THAR 137: Costume Crafts and Technology (6 units)
  • MUSI/BUEN 150: Introduction to Arts Management (6 units)
  • THAR161: Stage Makeup (3 units)
  • MUSI 120: Basic Audio Recording (1 unit)
  • MUSI 220: Audio Editing and Mixing Tech (3 units)
  • MUEN 231: Kinkaviwo (1 unit)
  • MUEN 232: Tambo Toke (1 unit)
  • MUEN 203: Balinese Gamelan (1 unit)

9 units from among Practice courses:

  • THAR/MUDA 134: Contact Improvisation (3 units, repeatable)
  • THAR/MUDA 136: Embodied Creative Practice (3 units)
  • THAR/MUDA 138: Articulating the Solo Body (3 units)
  • THAR/MUDA 143: Fundamentals of Movement: Practices of Care for the Performing Artist, Athlete (3 units)
  • THAR/MUDA 147: Physical Practice: Modern Dance (3 units)
  • THAR/MUDA 149: Physical Practice: Broadway Styles (3 units)
  • THAR/MUDA 185: Movement and Text (6 units)
  • THAR/MUDA 220: Musicians in Movement (3 units)


Courses - Dance

MUDA 132: Ensemble Thinking

Ensemble Thinking is a system of physical, improvisational, group exercises that provides organizing lenses through which we observe and participate in movement and performance. Using this technique, we will develop awareness and listening skills for relating to others, build a common language, and practice collaboratively creating dances. Through embodied studio investigations, this course introduces students to dance composition.
Units: 3
Also listed as Theatre Arts 132

MUDA 134: Contact Improvisation

Contact Improvisation is a partnering dance form that explores movement possibilites created when two or more individual bodies are touching and/or sharing weight, balance or support. The practice of Contact Improvisation encourages the development of self-responsibility, awareness, clear physical communication and a strong, versitile body. This is a rigorous dance lab in which we will experiment with action, physics and listening.
Units: 3
Also listed as Theatre Arts 134

MUDA 136: Embodied Creative Practice

This is a course designed to build your creative muscle. In the supportive community of this class, we will access your individual story, writing, drawing, movement and voice to create and perform for each other every class meeting. Employing diverse performance techniques and referencing various readings, we will discover and craft our unique inspirations, directions, and experience.
Units: 3
Also listed as Theatre Arts 136

MUDA 138: Articulating the Solo Body

Based in ReWire/Dancing States and other contemporary techniques, this course will build a movement foundation for the solo dancing body. In the studio, we will work with clarity, speed, and precision to develop a versatile and conscious dancer. We will also explore topics such as performance, intention, and habits while dancing.
Units: 3
Also listed as Theatre Arts 138

MUDA 143: Fundamentals of Movement: Practices of Care for the Performing Artist, Athlete

Fundamentals of Movement introduces the performing artist, the performing athlete to tactics of care, injury prevention, performance enhancement, and wellness. Through experiential anatomy, fascial training, restorative and preventative somatic practices students actively engage with experiential tools that will enhance and add longevity to their performative careers, whatever performative situation comes next. The course will have reading, viewing, discussion, written and verbal critique, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions as well as competitive sport and athletics.
Units: 3
Also listed as Theatre Arts 143

MUDA 147: Physical Practice: Modern Dance

Physical Practice introduces students to dance as an embodied practice, academic study and a process of investigating and making. This class section explores the basic elements of contemporary modern dance: coordination, alignment, time, space, speed, rhythm, weight, and solo/ensemble practice. Emphasis is placed on moving and dancing a lot, getting sweaty in order to build strength and stamina in the body and mind. The course will have viewing, discussion, written and verbal critique, composition, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions. This course can be repeated (and can be taken by students who previously took THAR 147 under the old title.) Only 6 units of Physical Practice (any type) can count toward the theatre arts major.
Units: 3
Also listed as Theatre Arts 147

MUDA 149: Physical Practice: Broadway Styles

Physical Practice introduces students to dance as an embodied practice, academic study and a process of investigating and making. This class section explores the basic elements of contemporary Broadway dance: coordination, alignment, time, space, speed, rhythm, weight, and solo/ensemble practice. Emphasis is placed on moving and dancing a lot, getting sweaty in order to build strength and stamina in the body and mind. The course will have viewing, discussion, written and verbal critique, composition, and experiential components. Recommended for students who wish to participate in theatre, opera, musical and collaborative productions. This course can be repeated (and can be taken by students who previously took THAR 149 under the old title.) Only 6 units of Physical Practice (any type) can count toward the theatre arts major.
Units: 3
Also listed as Theatre Arts 149

MUDA 185: Movement and Text

This studio-based introductory course examines the interplay of physical movement with verbal and written texts. Using choreographic approaches and improvisational structures, students will investigate how to mine a theatrical text for its range of expression, embodiment, and compositional qualities, and to examine the kinesthetic body as a text.
Units: 6
Also listed as Theatre Arts 185

MUDA 191: Directed Study in Dance

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98

MUDA 220: Topics in Movement/Performance

Topics in this series vary from year to year. May be repeated when topic is different.
Units: 3
Also listed as Theatre Arts 220

MUDA 221: Dance Studies: Global Perspectives

This course introduces major concepts, approaches and issues in the study of dance as a cultural, historical and artistic practice. By examining key texts in dance studies, viewing dance films and engaging in the practice of dancing, students will investigate how moving bodies shaped history while considering dance as a form of cultural identity and political power.
Units: 6
Also listed as Theatre Arts 221

MUDA 222: Dance, Yoga, and Body Knowledge in Religion

This class introduces students to the concept of embodied knowledge, asking students 'what do our bodies know and how do they learn?' and 'what do the performances of our bodies create?' Students will explore embodied ways of knowing at the intersection of Indian classical dance, yoga, and Hindu traditions and then create and analyze their own movement practices as part of the class.
Units: 6
Also listed as Religious Studies 221

MUDA 341: C.S: Tools For Embodied Resear

What constitutes performance and how is performance a site of possibility, discourse, dissension, and connection? Through the lens of dance as a foundation, we grapple with embodying our research and creating action in our campus communities and beyond. This upper-level course is meant to prepare students for their senior capstone and for any students who want to dive into deep research.
Units: 6
Also listed as Theatre Arts 341

MUDA 390: Tutorial in Dance

A tutorial is a student-driven course of study undertaken by an individual student or a small group of students in collaboration with one or more faculty members from the department. The primary goal of a tutorial is the expansion, refinement, and synthesis of knowledge through in-depth exploration of a specific topic. A tutorial may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98

MUDA 391: Directed Study in Dance

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98

MUDA 399: Independent Study in Dance

An independent study is largely student-directed work in scholarship or creative activity supervised by a member of an academic department. An independent study may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98

MUDA 590: Tutorial in Dance

A tutorial is a student-driven course of study undertaken by an individual student or a small group of students in collaboration with one or more faculty members from the department. The primary goal of a tutorial is the expansion, refinement, and synthesis of knowledge through in-depth exploration of a specific topic. A tutorial may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98

MUDA 591: Directed Study in Dance

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98

MUDA 599: Independent Study in Dance

An independent study is largely student-directed work in scholarship or creative activity supervised by a member of an academic department. An independent study may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98

MUDA 690: Tutorial in Dance

A tutorial is a student-driven course of study undertaken by an individual student or a small group of students in collaboration with one or more faculty members from the department. The primary goal of a tutorial is the expansion, refinement, and synthesis of knowledge through in-depth exploration of a specific topic. A tutorial may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98

MUDA 691: Directed Study in Dance

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98

MUDA 699: Independent Study in Dance

An independent study is largely student-directed work in scholarship or creative activity supervised by a member of an academic department. An independent study may be arranged with an instructor in accordance with the guidelines contained in the course catalog and any departmental requirements.
Units: 1 TO 98